Maybe the Best Bridge City Contest Ever?
“Anyone who stops learning is old, whether at twenty or eighty. Anyone who keeps learning stays young. The greatest thing in life is to keep your mind young.”
– Henry Ford
First, a big thanks to all for the congratulations regarding the 2013 exhibition–your words and encouragement are really appreciated.
As you might imagine, there is a lot of work to make all this happen, and if you are going to work, why not make it fun? So, every now and then I will post some behind-the-scenes information so you don’t run out of drivel. We never want to run out of drivel… that would be bad.
Today I met with Nicole from the Museum of Contemporary Craft to discuss the educational component of the exhibition. We agreed that it might be really fun to have a couple of Jointmaker Pro’s in the museum workshop area making squiggle marble track. Then, much like our noisy video of the same ilk, we would, over a period of weeks and months, create a giant kinetic marble maze mounted vertically on the wall. The idea of course is to get people acquainted, or in some cases, reacquainted with non-powered tools and spontaneously create a collaborative, and fun sculpture for young and old alike.
Next, we discussed JMP projects and I shared with her the CAD drawings of the chess set I have been working on for the past couple of years. So it looks like that is going to be on display too. (FYI, for those of you taking my JMP class at the Marc Adams School of Woodworking next Spring, you will make this project.) A pic of the King and Queen is below. All JMP cuts and block plane work–now you know how the Precision Fence System came to be…
This discussion awakened the muse. I proposed the following contest idea to Nicole; what if Bridge City sponsored a contest for those folks who own, or use a Jointmaker Pro? All you need to do is design and make a project that primarily relies on the JMP and the winning entries would be included in the exhibition and our upcoming book! Furthermore, if your work is gallery quality, Nicole is open to including your work in the sales gallery! How cool is that?
So that is exactly what we are going to do. If you like contests with meaty prizes this is a good one. All entries need to be received by April 15th, 2013–I picked this date because I know it is your favorite date. The museum curator will judge all entries.
So, what is gallery quality? At the bare minimum it is stellar craftsmanship–that is a given. Next, your work needs to evoke an emotional response–which means it needs to resonate, good and bad vibes work–the world is your oyster.
What if there are only four successful entries? Well, then I know we will sell at least 4 copies of our book. Unless of course the entries are all from San Diego…
Let the questions begin…